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Currently developing new video/performance project FIVE YEARS.
(Stay tuned for news.)

Abigail and Michael named 2025 Guggenheim Fellows

"a poetic evocation of our mostly unspoken — and un-called-upon — dependence on one another ”
– The New York Times

"The company’s guilelessness is central to its beautiful art…600 HIGHWAYMEN want to re-wire your theatregoing DNA”
– The New Yorker

"Theatre as a radical space of togetherness, where we become other people to unpack the complexities of being ourselves, of being human.”
– Theater of the Unimpressed

"THE SINGLE MOST REMARKABLE WORK OF 2022"
– Culturebot on A THOUSAND WAYS (PART THREE): AN ASSEMBLY

A THOUSAND WAYS (PART TWO) named
Best Theater of 2021 by the New York Times

"the standard-bearers of contemporary theater-making"
– Le Monde

"I have never before felt anything like this during a live show. It was almost like a revelation – I kid you not.”
— Culturebot

"elegant and raw in the same breath.”
— Buffalo News

"Just when you think you might be getting a little cynical about the theatre ... think about 600 HIGHWAYMEN."
– The New Yorker

THE FEVER is nominated for a 2019 Bessie Award

"The work 600 HWM does is beautiful and moving and maybe in some crucial or
understated way, a democratic enterprise that asks us all to consider the unique beauty
of one another."
– Culturebot

EMPLOYEE OF THE YEAR is nominated for Bessie Award for Outstanding Performance

"One of New York's best nontraditional companies.”
– The New Yorker

"Simple but sublime ... alerts us to the awesome strangeness, and the utter ordinariness, too, of being alive in the here and now."
– The New York Times

"Delicate tricks up their sleeves”
— The New York Times
The Following Evening, photo by Matt Murphy