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Abigail and Michael named 2025 Guggenheim Fellows

Currently developing new video/performance project FIVE YEARS.
(Stay tuned for news.)

"a poetic evocation of our mostly unspoken — and un-called-upon — dependence on one another ”
The New York Times

"The company’s guilelessness is central to its beautiful art…600 HIGHWAYMEN want to re-wire your theatregoing DNA”
The New Yorker

"Theatre as a radical space of togetherness, where we become other people to unpack the complexities of being ourselves, of being human.”
Theater of the Unimpressed

"THE SINGLE MOST REMARKABLE WORK OF 2022"
– Culturebot on A THOUSAND WAYS (PART THREE): AN ASSEMBLY

A THOUSAND WAYS (PART TWO) named
Best Theater of 2021 by the New York Times

"the standard-bearers of contemporary theater-making"
Le Monde

"I have never before felt anything like this during a live show. It was almost like a revelation – I kid you not.”
— Culturebot

"elegant and raw in the same breath.”
— Buffalo News

"Just when you think you might be getting a little cynical about the theatre ... think about 600 HIGHWAYMEN."
The New Yorker

THE FEVER is nominated for a 2019 Bessie Award

"The work 600 HWM does is beautiful and moving and maybe in some crucial or
understated way, a democratic enterprise that asks us all to consider the unique beauty
of one another."
Culturebot

EMPLOYEE OF THE YEAR is nominated for Bessie Award for Outstanding Performance

"One of New York's best nontraditional companies.”
The New Yorker

"Simple but sublime ... alerts us to the awesome strangeness, and the utter ordinariness, too, of being alive in the here and now."
The New York Times

"Delicate tricks up their sleeves”
— The New York Times
The Following Evening, photo by Matt Murphy